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Las Galas Restaurant
Lixzette Cruz wanted to work here. She isn’t planning to stay here for long, however. The 21-year-old Cruz attends California State University in Northridge near her home. This is just her version of a side job during her college years.
But why does she make the 30-mile trip south several times a week to work at a small restaurant nestled in Little Tokyo Plaza?
“I’m originally from Downtown LA and I love it here,” she says. “Sometimes it’s okay to work in different cultures, it’s fun. It’s fun to be around something you don’t see all the time.”
Cruz had an upperhand in getting the job because her older cousin is the manager of the restaurant——the person who the two Japanese owners have entrusted with their business that is set to expand next door.
“I know we’re willing to break our backs in the kitchen, or waitressing for people even if they’re rude and I think there’s Hispanics in a lot of the places you wouldn’t expect."
Cruz, like Rosemary Martinez of Yamazaki Bakery, credits her extremities, sign language and the images displayed on the menu for helping her communicate with people who don’t speak Spanish or English.
It’s only fitting that even when giving out her name, she would make it easier and shorter; it’s her expertise.
“Lixzette, she says donning a ‘Las Galas’ apron, ”but you can call me Liz.”
To some Hispanic workers, their job is one that they treasure because of what it means both literally and figuratively. For Areli Ramirez, a clerk at the Family Mart right on East 1st Street, across from the Little Tokyo Plaza, that’s exactly what it is.
“It’s a safe place to work,” she says of Little Tokyo. “The culture was difficult to get used to at first, but now, after working here so often, it’s almost become my second home.”
The market where she works is stocked with everything from ice cream to boba tea to mochi. Rarities like the green tea Oreos stand out amid the canned milk tea and the seaweed crackers. Yet what rarely stands out is a voice—that of Ramirez, who quietly goes about her business daily, avoiding trouble, refusing to make a fuss about anything.
When I asked to talk to her, she requested that I come back later, when her boss was not around. Given that the place hailed as a “family mart” has a minimum credit card purchase of $55 and doesn’t allow people to take pictures, her worries about jeopardizing her job due to answering a few questions in her native language was justified.
“When I moved here, I was just desperate for a job,” she said once her boss had departed. “Sometimes I wish I was working with more people like me, more Hispanics but I had to do what I had to do and I can’t let go of a sure job.”
Close popup boxMichael Beltran patrols the area of the Little Tokyo plaza nearly every weeknight. From his post, he does a round about the vicinity every hour or so. Some nights are livelier than others, he says in Spanish, while eating some fried fish from the nearby Nijiya Market.
“I’ve had to get used to this food,” he notes. “Get used to the people, the culture, the differences.”
It’s a stark contrast from the nearby neighborhood where he resides; a neighborhood he classifies as one of “purely Hispanics.”
Beltran—who has been working here for five years—says he has experienced racist behavior toward him by some Japanese people. He admits he’s gotten used to it, but that he also attempts to calm people down by giving a spiel on equality.
“Once they realize that you’re just like one of them, or that I am a security man, they back down a bit,” he explains as he squeezes the final drops of a lemon onto his fish.
To him, the job is just a job, as he was assigned here by a private company, but he admits that there is plenty of trouble with homelessness and repeated slights of racism toward him where because he is a security man, and because he is Hispanic, he is disrespected by people not of his own race.
Alex Martinez works at Mitsuru Cafe, a well-known, famous restaurant in the middle of Little Tokyo that is known for their showcase of red bean cakes. Walk by on any given day and you will see the owner, a Japanese woman, flipping the round sponges filled with dark, sweet red beans like hotcakes by hand.
If you are enticed by what you see, then stepping into the restaurant will only expose you to the Japanese cuisine this place boasts. The difference being that in the unseen kitchen of the back, it’s people like Martinez and his fellow Mexican compatriots who cook up the Asian-infused chicken or assemble the tightly packed rolls of sushi.
Even if the culture of Little Tokyo was not something directly affecting Martinez, it certainly restricts him. From a tight schedule, to not being allowed to be interviewed, it appears the ownership of the famed cafe is tight-lipped and covert like many of the other business in the area.
Forward, back; slice, stack. Over and over again. Every Wednesday night, while the Korea BBQ restaurant he works at has one, maybe two customers, Alex Portillo takes to the back of the kitchen and slices pounds of meat on his own.
Portillo hails from Mexico, and to him, Japanese, Chinese, Korean—they’re all the same. It’s a job, he says, though at first, getting accustomed to the culture was a trying experience.
“Every Sunday, all day,” he says of his duties. "It’s a bunch of us, we’re all Hispanics just working here in the back of the kitchen.”
This is a commonality among the many business of the area. Japanese and Korean in the front of the house, Hispanics in the back of the house. It’s the hard labor that immigrants have decided to gladly take for a respectable wage. Neither fear of culture, nor apprehension of things unknown matter when all that’s a needed is a paycheck.
How an influx of Hispanic workers are meshing with the culture of Little Tokyo